31 Janvier 2013
The 1954 film was shot with M.L. Gunzberg's Natural Vision 3-D camera rig. This rig was notable for being the same rig that started the 3-D craze of 1953 with Bwana Devil andHouse of Wax. Intended originally to be shown
in dual strip, polaroid 3-D, the film played most theaters flat due to the loss of interest in the 3-D process in conjunction with the time of its release. In February 1980, the dual-strip system
was used for the revival of the film in 3-D at the York Theater in San Francisco. This revival did so well that Warner Brothers re-released the film in the single-strip system 3-D version in February 1982.