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Moïcani - L'Odéonie

"Quand un salon littéraire devient un boudoir pour dames"

AUTOUR DE NANCY CUNARD

PHOTO MAN RAY

DAVID LEVINE

BRANCUSI

SONIA DELAUNAY

OSKAR KOKOSHKA

AMBROSE MCEVOY

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‘Zeppelins’

I saw the people climbing up the street
Maddened with war and strength and thoughts to kill;
And after followed Death, who held with skill
His torn rags royally, and stamped his feet.

The fires flamed up and burnt the serried town,
Most where the sadder, poorer houses were;
Death followed with proud feet and smiling stare,
And the mad crowds ran madly up and down.

And many died and hid in unfounded places
In the black ruins of the frenzied night;
And death still followed in his surplice, white
And streaked in imitation of their faces.

But in the morning men began again
To mock Death following in bitter pain.

NANCY CUNARD

BIBLIOGRAPHIE :

  • Outlaws (1921), poems
  • Sublunary (1923), poems
  • Parallax (1925, Hogarth Press), poems
  • Poems (Two) (1925, Aquila Press), poems
  • Poems (1930)
  • Black Man and White Ladyship (1931) polemic pamphlet
  • Negro: an Anthology (1934) anthology of African literature and art, editor
  • Authors Take Sides (1937) pamphlet, compiler
  • Los poetas del mundo defienden al pueblo español (1937, Paris), co-editor with Pablo Neruda
  • The White Man's Duty: An analysis of the colonial question in the light of the Atlantic Charter (with George Padmore) (1942)
  • Poems for France (1944)
  • Couverture
  • Releve into Marquis (1944)
  • Grand Man: Memories of Norman Douglas (1954)
  • GM: Memories of George Moore (1956)
  • These Were the Hours: Memories of My Hours Press, Réanville and Paris, 1928-1931 (1969), autobiography

AVEC LUIS ARAGON

 

 

NANCY CUNARD INSPIRATRICE DE MODE :

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